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James Reid-Cunningham
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Evaldas Mikalauskis
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Yellow White
1994, 26x59, paper, dry herbs, birch-bark
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Book of Creation
1993, 48x59x2, unique, wood, hinges, nails, oil colour
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Gestures
2000, 7.6 x 5.4 x 5.7
Miniature design binding with full black goatskin over bevelled
boards |
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Diary
1997, 30x35, unique, ink, etching, wood |
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| Aiste Juskeviciute |
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Barbara Beisinghoff
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David Moyer
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Diary
1997, 32x36, unique, ink, gouache, rope |
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A Week of Silence
1997, 24x24x24, unique, wood, metal |
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O.R. |
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| Merike Sule |
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Diana Liahova |
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Egidijus Rudinskas |
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William-Harroff |
The Last Supper
2000, 12 x 10 x 0,5, edition 1, photocopies |
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Apocalypse Book I, II
2000, 30 x 19, unique, paper, wood, plexiglas, glycerine |
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Revalation 22. 18-19 |
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| Scott Lau |
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Vincke Wolfgang |
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Toshihiro Hattori |
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Patricia Olynyk |
God's Dissection of the Ant which
Led to the Apocalyptic Demise of
2000, 22 x 23 x 2, unique, colour laser print, wire binding |
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No title
2000, 40 x 30, unique, 4 wooden plates, paper, moss, 4 books |
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Barbarous
1999, 41 x 54 x 28, unique, fibber of paper mulberry |
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Spine
1999, 77 x 6,5 x 5, lithography, mono print, chine-roll on handmade
paper |
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| Miriam Schaer |
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Hong Bo-Ram |
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Ana Pimentel |
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Hanne Stochholm |
Solitary Confinements: A Family Portrait
Installation of clothing tranformed into
books |
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Apocalypse
2000, 20,5 x 20,5, edition A.P., stamps on traditional paper |
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Human Nature in Deformation 'Apocalypse'
Monsters
2000, 27 x 21 x 4,5, unique, mixed media |
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Vision nr.1634
2000, unique, mixed technique |
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| Rasa
Januleviciute >> works |
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Mia Leijonsttedt |
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Alla Georgieva |
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Dimitar Anakiev |
Reliquary
2000, � 27, unique, relief stamps |
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The Last Predictions of Nostradamus
2000, 31 x 32 x 8, unique, book and doll (h 30), mixed media |
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The Bread
2000, 24 x 29 x 3, unique, text on bread |
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Knots
1999, 14,5 x 20,5 x 1,5, hardbound with hole in the middle,
paper, rope |
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| Beate Dyck |
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Carles Cave |
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Christian Vetter |
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Claire J. Satin |
No title
2000, 20 x 58, unique, code of caws with ink, feathers, sharp
wood,
sealing-wax |
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A Primer for the 21st Century
2000, 17,7 x 14, computer generated text and images, paper,
metal |
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Apocalypse Never
2000, 10 x 13,5, edition 5, computer ink jet print |
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Ghost Drawing Book M, XXVI
1987, 21,5 x 19,5 X 1, edition 4/6, mixed technique |
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| Elena Panayotova |
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Gedas Mockus |
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Gernot Cepl |
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Gloria G. Persiani |
I Love You, I Hate You
1999, � 64, unique, cardboard paper, acrylic, ink, pencil |
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The Revelation (or Warning)
2000, 18 x 25 x 7, unique, the Bible, two weapons |
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Apocalypse Yesterday
2000, 18 x 25,5, unique, collage, seal, ink, pencil |
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Death and Rebirth
2000, 23 x 28, unique, paper, fibre of glass |
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| Yuko Ebina |
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John L. Risseeuw |
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Julia Jedwab |
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Katherine M. Pukas |
Apocalypse
2000, 21,5 x 30, unique, paper, watercolour |
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One Night
1997, 18,1 x 10,2, edition 28, letterpress on handmade paper
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Apocalypse
2000, 22,5 x 19, edition 2/3, paper, aquatint |
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Back Cloth Sun
2000, 13,5 x 18 x 1,5, unique, mixed media, thread, candle wax |
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| Leah Oates |
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Marianne Little |
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Martin Gredler |
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Peter and Donna Thomas |
Transgression
1999, 13,5 x 20, edition 500, offset litho |
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Do I Dare
2000, 40 x 27 x 27, unique, handmade paper, acrylic paint, computer
print,
piano hinge binding |
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Grandma's Recipies: Sagoworms with
Black Pudding
2000, 25 x 10, unique, pigments, pastel, coloured pencil on
paper,
letterpress |
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Pandora's Box
1997, 2,5 x 6,5, edition 130, letterpress printer with type,
linocut,
handmade paper |
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| Peter Haubro |
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Rene Haljasmae |
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Tara Bryan |
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W. N. Aceron |
Les Gargoils Revolte I, II
1999, 21 x 20,3, edition 50, ink, offset, collage |
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Post Box Story
2000, 25 x 17,5 x 5, unique, plywood cover, linen bowing band
and thread,
Carolinian binding |
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World without End
2000, 8 x 8 x 1, edition 200, offset printed, hand cut, scored
and folder
tunnel book |
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Precious Debris
2000, 20 x 20 x 5, unique, paper, wood, photos |
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